2 These effects are dispersive velocities that elasticize and explode, densify and denude the appearances of its two characters during their chance encounter one night on the Los Angeles subway. Vulnerable’s compressed optic rhythms are driven and punctuated by the recurrent diffusion of molten warps, dissolves, and disfigurational smears of color, texture and shape. They thereby rupture its long hold on the West’s cultural imagination. 1 Without a word, the visual-aural impulses of Jenkins’ video remain irreducible to this unchanging story. ![]() ![]() ![]() Without a word, Ulysses Jenkins’ Vulnerable (2000), a five-minute, self-described video “psychodrama,” foregrounds the degree to which Western societies have molded themselves around mythic images and narratives of black zombification and dereliction. Lisa Uddin and Michael Boyce Gillespie (Editors) Thanks to all the contributors and special thanks to Alexandra Kingston-Reese and Wiktoria Tunska. will run the course of summer 2022 for five consecutive weeks. Solve for X in no more than 1000 words.ī.O.s. ![]() X = Object love + art of blackness criticism ≅ disassociate, distend, demand, refract, rejoice. As we’ve said, our physics of black study amplifies the critical resonance of objects (centripetal) over the insistence on what objects must do (centrifugal). We value the complications, ambiguities, and ambivalences on which the art of blackness thrives. A prompt, a parameter, a choreography, Black One Shot (b.O.s.) has been our ongoing concentration on the art of blackness.
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